| Téma: On-line zene |
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Bach Es-dur Sonata flute - Pete Lilla
Közzététel: 2011. márc. 22.
Bach Es-dur Sonata played by Lilla Pete
Camera: Vámos Zoltán
Sound: Kohári Imre
Editing: Szalai László
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Bach Es-dur Sonata Pete Lilla előadásában
Operatőr: Vámos Zoltán
Hang: Kohári Imre
Vágó: Szalai László
Színitanház - 2011 |
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Georg Christoph Wagenseil - Harp Concerto in G major
Közzététel: 2013. márc. 29.
Vittorio Parisi, conductor
Mantova Orchestra
Roberta Alessandrini, harp
Georg Christoph Wagenseil - Harp Concerto in G major
I. Allegro
II. Andante
III. Vivace |
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Sara Mingardo "In sì torbida procella" 2001 Live
Feltöltés: 2008. szept. 13.
for better sound http://www.youtube.com/watch?v=0WfXrR...
Sara Mingardo, contralto
Fabio Biondi, Europa Galante
live in Dresden, 2001
Giacomelli aria also used in "Bajazet" by Antonio Vivaldi
Tamerlano
In sì torbida procella
cerco invano amica stella,
non ho porto e non ho sponda.
Sol fra scoglie ondeggio ed erro
e dal legno a cui m'afferro
mi respinge il vento e l'onda |
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G.F. Handel - Felicissima Quest'alma
Feltöltés: 2011. jan. 13.
G.F. Haendel: Apollo e Dafne
Aria "Felicissima quest'alma"
Soprano: Lia Serafini
Traversiere: Luigi Lupo
I Musicali Affetti direttore M° Fabio Missaggia
Registrato presso il Teatro Olimpico di Vicenza
il 9 e 10 ottobre 2003
Etichetta: Rainbow Classic |
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ウッド・スピーカー？
Közzététel: 2014. júl. 30.
据え置きタイプのウッドスピーカーです。
360度から音が流れます。
モノラルスピーカーを聴いてみよう。
„Flute Trio in G Major, Op. 12, No. 2: III. Tempo di minuetto”, előadó: Orsolya Kaczander
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J. G. Müthel: Choral und Variationen "Jesu, meine Freude"
Közzététel: 2015. febr. 2.
Choral I
Var. I
Var. II
Var. III
Choral II
Lukas Frank an der Orgel von Patrick Collon, Univ. für Musik und darstellende Kunst, Wien
2015 |
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Jelly d'Arányi & Ethel Hobday - Hubay Six Poèmes Hongrois Op.27 - No.6 Allegro molto.
Közzététel: 2013. máj. 3.
Jenö Hubay Six Poèmes Hongrois Op.27 - No.6 Allegro molto.
Jelly d'Arányi (violin), Ethel Hobday (piano).
Vocalion X 9981, May 1927. |
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Gustav Mahler: "Urlicht" - Florence Kopleff
Közzététel: 2014. márc. 1.
Florence Kopleff sings "Urlicht" from
2. Symphony by Gustav Mahler
Utah Symphony Orchestra
Maurice Abravanel, conductor |
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La virgen lava pañales (Spanish carol)
Közzététel: 2013. dec. 28.
arrangement by Alice Parker and Robert Shaw
Robert Shaw Chorale
Robert Shaw, conductor
Florence Kopleff, contralto |
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Sir John Tavener (1944–2013): The lamb - The 16
Közzététel: 2012. szept. 25.
„The Lamb”, előadó: The Sixteen
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John Taverner (~1490–1545): "Western Wind" Mass / Gloria
Feltöltés: 2011. aug. 13.
Taverner - Western Wind - 01 - Gloria - Ars Nova Choir Copenhagen - Hillier |
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Tabulatúra régizene-együttes - Cantigas de Santa Maria
Közzététel: 2012. jún. 30.
Tabulatúra régizene-együttes
Cantigas de Santa Maria
2012. június 30., Szentendre, a Kecskés-együttes kamaraterme |
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W.F. Bach: Cantata, Gott fähret auf mit Jauchzen
Közzététel: 2014. ápr. 9.
Wilhelm Friedemann Bach
Cantata, Gott fähret auf mit Jauchzen, BR-WFB F 10
Dorothee Mields, soprano
Gerhild Romberger, alto
Georg Poplutz, tenor
Klaus Mertens, bass
Bachchor Mainz
L'arpa festante München
Ralf Otto, conductor
June 2010 |
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| panda |
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Látom, már el is múlt a hatása... Szomorú.  |
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Örülök, hogy betartod orvosaid utasításait. Bár, agyalágyultságodon nem segít, de legalább lenyugszol, két ordibálás között... 
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Antonio Lotti. Miserere №1 D moll, №2 G moll.
Közzététel: 2014. jún. 6.
Антонио Лотти (Antonio Lotti). Miserere mei №1 D minor, №2 G minor.
Исполняют: Balthasar Neumann Choir, дирижирует Thomas Hengelbrock, Ensemble Métamorphoses, дирижирует Maurice Bourbon.
Видеоряд - работы Джан ( Джованни ) Лоренцо Бернини, Giovanni (Gian Lorenzo) Lorenzo Bernini (1598 - 1680), на религиозные сюжеты. |
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Guillaume Dufay: Missa l'Homme Armé 4. Sanctus
Feltöltés: 2009. júl. 24.
L'Homme Arme was a monophonic melody with political and satirical strains. Dufay made one of the first versions of it in a polyphonic setting in his Missa L’Homme Arme. The beginning of the cycle is designed so that, in the absence of instrumental accompaniment, the cantus firmus is virtually indistinguishable until near the end of the Gloria. The tenor sings the cantus firmus, overlapped by the bass line and other voices that conceal the melody of L'Homme Arme. If this were played by instrumentalists, rather than vocalists, the tone quality of the varying instruments would serve to open up all the parts to the ear, thus illuminating the cantus firmus as well. This hidden quality of Missa L’Homme Arme suggests the playfulness of Dufay with his compositions. |
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Ferenc Gergely, organist - Improvisation on the old Hungarian hymn "Boldogasszony Anyánk"
Közzététel: 2014. okt. 20.
Ferenc Gergely, organist (1914-1998)
Improvisation on the old Hungarian hymn "Boldogasszony Anyánk" (Our Mother, Blessed Virgin)
Rieger Organ, Matthias Church, Budapest
Recorded circa 1985
Ferenc Gergely on Hungaroton: http://www.hungarotonmusic.com/gergely-ferenc-a3155/albums.html
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István Ruppert remembers Ferenc Gergely:
It is hard to write about people who cannot be docketed. I was twenty-three years old when I started my organ studies with him – I don't think I could be as encouraging for a beginner as he was with me then. I had lessons with him every other week in different churches following the evening services. He played in several churches simultaneously, at the Franciscans' for almost seventy years. He told me later that he was the organist of the synagogue in Dohány Street for a long time, as well. I heard out his playing many times in order not to be late. As I also had been playing in churches since the age of fifteen, I knew all the hymns, though these melodies sounded in a different way, enviably beautifully. It was a great experience to listen to his harmonization, and had an incentive impact on rethinking of my weary playing of the score.
I was amazed by his unbroken optimism, especially after being partially informed about his family background. He lived among tragedies and ceaseless painful circumstances. It was only his wife who meant a safe point in his life. Most people must have given up or would have become indifferent, torn. One cannot look into others' soul or heart but in his case reasons and explanations can be many sentences from the Scriptures: '...do not worry the birds in the sky...' Sometimes he seemed to be an old-fashioned, anachronistic guy, as he kissed hands of women, as he told not any insulting comments about anybody and as he was consolation for people being said about every bits and pieces of issues, himself being broken, as well. He was separated by few or none steps from his students. Somewhere in his heart he remained a child, who always believes in the good part of others and forgets the hurtful and bad things easily. He was a man of appeasement – according to many others he never stood really hard for anything – though any polarized and one-track justice was far from him. He did the same as a teacher: showed different ways, possibilities and solutions leaving the choice to the student. (That way he ‘inherited' probably from his teacher, Zalánfy with whom he studied at the Academy of Music between 1933-1936 and 1938-1941.)
Continue reading: http://lfze.hu/nagy-elodok/-/asset_publisher/HVHn5fqOrfp7/content/gergely-fer ... |
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Cyrillus Kreek: 137. Psalm Davids / The psalm 137 of David / Taaveti laul 137
Feltöltés: 2009. jún. 18.
Cyrillus Kreek (1889-1962) - 137. Psalm Davids / The psalm 137 of David / Taaveti laul 137 (1938/1944) for mixed choir
mehr als 550 Chorwerke von Cyrillus Kreek erhältlich bei der edition 49
more than 550 choir works of Cyrillus Kreek available from edition 49
http://www.edition49.de
Cyrillus Kreek (1889-1962) studierte von 1908 bis 1916 am St. Petersburger Konservatorium Posaune und Komposition. Anschließend unterrichtete er unter anderem am Musikkollegium von Tartu und am Konservatorium von Tallinn. Er sammelte systematisch die Volksmusik seiner Heimat, und viele seiner Volksmelodiebearbeitungen gehören heute zum festen Bestandteil des estnischen Chorrepertoires. Seine Werke sind vielmals auf CD eingespielt.
Cyrillus Kreek (1889-1962) studied trombone and composition at the St. Petersburg Conservatory from 1908 to 1916. He then taught at the Tartu Music College and the Conservatory of Tallinn. He systematically collected the folk music of his native country, and many of his folk melody arrangements have since become part of the permanent repertoire of Estonian choral societies. Cyrillus Kreek also achieved renown as an instrumental composer with his Musica sacra, a Humoreske for orchestra, and a Suite for zithers and orchestra. His works are available on several CDs. |
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