| Téma: On-line zene |
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Heinrich Isaac (c.1450-1517): Virgo prudentissima
Cantoratus Budapestiensis
Opicz József, Muntag Lőrinc, Újházy Márton, Mizsei Zoltán
Corvina Consort
Andrejszki Judit, Pintér Ágnes, Draskóczy Balázs, Pászti Károly, Kalmanovits Zoltán, Demjén András
Discantus
Szemkeő-Martin Orsolya, Hajós Nikolett, Heimné Reviczky Júlia, Ligeti Orsolya, Nagy Bernadett, Beleznai Katalin, Gombos András, Mészáros Péter, Széplaki Márk, Pálmai Árpád, Sziklay-Pap Ferenc, Nemes Krisztián, May Zoltán
Greccio Chamber Choir
Birtalan Zsolt, Bódy Balázs, Cser Balázs, Cser Miklós, Harmath Dénes, Juhász János, Kecskés Mónika, Pászthory Blanka, Petneházy Gyöngyvér, Solymosi Tamás, Táborszky Györgyi, Tatai Lilla
Voces Æquales
Gavodi Zoltán, Czier Zoltán, Mizsei Zoltán, Koncz András
conducted by Zoltán Kalmanovits
2011. november 22.
Belvárosi Szent Mihály Templom/St. Michael's Church, Budapest
Musica Aeterna Művészeti Alapítvány/Musica Aeterna Art Foundation
corvinaconsort.hu |
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Manuel Cardoso: Magnificat
Manuel Cardoso (Fronteira do Alentejo, 1566 - Lisboa, 1650)
Intérpretes: The Tallis Scholars (Peter Phillips)
Imágenes: Mosteiro dos Jerónimos (Lisboa) |
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Pro Musica - Kodály: Esti dal
2010.04.24.
A Nyíregyházi Cantemus Gyermekkórus és Pro Musica Leánykar hangversenye a Magyar Örökség-díjért
Cantemus
Pro Musica
Dénes Szabó
Magyar Örökség
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 Des Prez, Josquin (1440 - 1521)
Josquin Des Prez (French rendering of Dutch "Josken", diminutive of "Joseph"; latinized Josquinus Pratensis, alternatively Jodocus Pratensis) (c. 1450 to 1455 – August 27, 1521) was a Franco-Flemish composer of the Renaissance. He was the most famous European composer between Guillaume Dufay and Palestrina, and is usually considered to be the central figure of the Franco-Flemish School.
http://www.free-scores.com/PDF_EN/des-prez-josquin-grillo-419.pdf |
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19:35 Händel: Alessandro - háromfelvonásos opera
Szövegét Paolo Antonio Rolli írta
Vez: Sigiswald Kuijken, km: a La Petite Bande
Szereposztás:
Alessandro - René Jacobs (kontratenor), Rossane - Sophie Boulin (szoprán), Lisaura - Isabelle Poulenard (szoprán), Tassile - Jean Nirouet (kontratenor), Clito - Stephen Varcoe (basszus), Leonato - Guy de Mey (tenor), Cleone - Ria Bollen - alt
(1987)
... http://www.facebook.com/pages/MR3-Bart%C3%B3k-R%C3%A1di%C3%B3/57200204774 |
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| Clemens non Papa |
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Köszönöm szépen.
Hálából itt egy gyönyörű szép Kyrie Palestrinától, a Tallis Scholars előadásában.
Missa Papae Marcelli.
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Cristóbal de Morales - Circumdederunt me
capella reial catalunya
jordi savall
male choir / coro masculino
renaissance / renacimiento español
score animation
margotlorena margotlorena1
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Itt "fórumkódok" vannak:
[vid]http://www.youtube.com/v/pZGdSTx5lMM?fs=1&hl=en_US[/vid]
Elküldés előtt a "Próba" gombbal lehet megnézni.
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| Clemens non Papa |
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Adjon Isten!
Nem tudod véletlenül, hogy egy youtube-os url-t, hogy lehet ide normálisan belinkelni?
Az utolsó két linkem sajnos nem sikerült, pedig a TryitEditor-ban kipróbáltam, és ott működött.
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Thomas Tallis (1505-1585) - Spem in alium (40 part motet)
Taverner Consort & Choir
directed by Andrew Parrott
in the picture: a church in Greenwich
Spem in alium is a forty-part Renaissance motet by Thomas Tallis, composed circa 1570 for eight choirs of five voices each.
Though composed in imitative style and occasionally homophonic, its individual vocal lines act quite freely within its fairly simple harmonic framework; allowing for an astonishing number of individual musical ideas to be sung during its ten-to-twelve minute performance time.
The work is a study in contrasts: the individual voices sing and are silent in turns, sometimes alone, sometimes in choirs, sometimes calling and answering, sometimes all together, so that, far from being a monotonous mess, the work is continually presenting new ideas to the listener.
The effect on the listener of the sheer number of ideas contained in the work, compounded with the unusual performance practice of surrounding the audience with performers, is that of inundation, or of being completely overwhelmed.
The work is not often performed, as it requires at least forty singers capable of meeting its technical demands.
The discipline that comes with performing the masterpiece is highlighted in the importance of the conductor and the performers alike. Whilst performers are distributed throughout a venue, the conductor becomes truly the hub for the piece throughout, as often there is little or no visibility between the performers, and a large venue will present acoustical challenges, not regarded with traditional choirs co-located.
Text (Latin)
The original Latin text of the motet is from a response (at Matins, for the 3rd Lesson, during the V week of September), in the Sarum Rite, adapted from the Book of Judith. Today the response appears in the Divine Office of the Latin rite in the Office of Readings (formerly called Matins) following the first lesson on Tuesday of the 29th Week of the Year.
Spem in alium numquam habui praeter in te
Deus Israel
qui irasceris
et propitius eris
et omnia peccata hominum in tribulatione dimittis
Domine Deus
Creator coeli et terrae
respice humilitatem nostram
English translation
I have never put my hope in any other but in you,
O God of Israel
who can show both anger
and graciousness,
and who absolves all the sins of suffering man
Lord God,
Creator of Heaven and Earth
be mindful of our lowliness
(taken from en.wikipedia.org) |
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