Téma: Német (és más skandináv) zeneszerzők |
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Emil von Reznicek: Symphony No. 1 "Tragic" (1902) Közzététel: 2013. szept. 10.
Painting Info - Abandoned Goth Cathedral by INetGraFX.
I. Massig - Mit Majestat - 00:00 II. Leicht Und So Schnell Als Moglich - 22:39 III. Zeimlich Langsam - 30:26 IV. Zeimlich Gehalten - 44:06
Reznicek studied law and music simultaneously in Graz. He did not finish his law degree, but continued to study music, his teacher being Wilhelm Mayer (also known as W. A. Rémy). Subsequently, he conducted at the theater in Graz, in Berlin and a few other places. From 1886 to 1894 he was Kapellmeister of the 88th Infantry of Prague, and it was here that he saw his greatest triumph with the premiere of Donna Diana (16 December 1894). In the spring of 1902 he settled in Berlin, touring to Russia and England from time to time. When the Nazi Party came to power in 1933, Reznicek tried not to become involved, but stayed in Berlin.
Reznicek was a personal friend of Richard Strauss. However, the relation between the two seems to have been an ambivalent one. Reznicek's symphonic poem Schlemihl (1912) can be seen as a direct parody of Strauss' A Hero's Life. The use of (often sarcastic) humor is a feature of much of Reznicek's music, from the jibbering Blaubart in the opera Ritter Blaubart through the sardonic Dance around the Golden Calf from Der Sieger (1913) to the expressionist Tarantella last movement of his Dance Symphony (No. 5, 1925). This Eulenspiegelei (a reference to the literary prankster Till Eulenspiegel) frequently got him into trouble in a world that was unaccustomed to the use of humour in music and art.
Ferdinand von Reznicek was his half-brother. |
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Leonhard Päminger (1495-1567): Domine, ne in furore tuo (Ps 38) Feltöltés: 2010. nov. 28.
Stimmwerck: Franz Vitzthum, Countertenor, Klaus Wenk, Gerhard Hölzle, Tenor, Marcus Schmidl, Bass, |
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Karl von Ordóñez: Sinfonia in C major, Brown C:2 Közzététel: 2014. dec. 23.
Karl von Ordoñez (1734~1786)
Sinfonia in C major, Brown C:2
00:00 I. Adagio 05:33 II. Larghetto 10:08 III. Presto
Toronto Chamber Orchestra / Kevin Mallon |
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Rendes Kis |
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Sigismund von Neukomm: Piano Concerto in C-major, Op.12 (1804) Közzététel: 2013. aug. 8.
Sigismund Neukomm
Work: Piano Concerto in C-major, Op.12 "Grand Concerto" (1804)
Mov.I: Largo maestoso - Allegro non troppo 00:00 Mov.II: Larghetto espressivo assai 13:23 Mov.III: Allegro assai 18:56
Pianist: Riko Fukuda
Orchestra: Kölner Akademie
Conductor: Michael Alexander Willens |
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Gustav Mahler: Kindertotenlieder Feltöltés: 2011. nov. 27.
Gustav Mahler: Kindertotenlieder / Gyermekgyászdalok Poems - Friedrich Rückert
1. Nun will die Sonn' so hell aufgeh'n (Már újra kél a napsugár) 2. Nun seh' ich wohl, warum so dunkle Flammen (Most értem én) 3. Wenn dein Mütterlein (Anyukád ha ajtómon belép) 4. Oft denk' ich, sie sind nur ausgegangen (Csak egy kis sétára tértek) 5. In diesem Wetter (Ily rút időben)
Atala Schöck
Hungarian Brodcasting Symphony Orchestra Conductor: Gergely Kesselyák
11th November 2011
Kép: http://gutenberg.spiegel.de/buch/kindertodtenlieder-5068/1 |
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August Lanner: D'ersten Gedanken, Walzer Op.1 Feltöltés: 2009. márc. 8.
http://www.planet-vienna.com/Musik/mu...
Ein besonders wertvolles und rares Stück Musik: Opus 1 von Joseph Lanners Sohn August (Augustin). Wäre dieser hochbegabte Komponist nicht im jungen Alter von 20 Jahren verstorben, so hätte die Musikgeschichte des 19. Jh. in Wien wohl anders ausgesehen. Vermutlich hätten die Straussbrüder einen grossen Teil ihrer Popularität an August Lanner abtreten müssen. Immerhin hat er der Nachwelt 30 Werke hinterlassen.
"D'ersten Gedanken" ist ein überaus gelungenes Werk mit bezaubernden Walzerteilen, die dem Stil des Vaters durchaus das Wasser reichen können. _________________________
August (formerly Augustin) Lanner was Joseph Lanners son. August a was very talented musician. He conducted his fathers orchestra at the age of 8. Unfortunately he died at the age of 20. This waltz (First thoughts) is a precious demonstration of Augusts skills.
Kép: www.johann-strauss.org.uk/composers-a-m.php?id=133 |
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Charles Kálmán: Hudson Concerto (1948; orch. 1960) Közzététel: 2013. nov. 16.
Charles Kalman (1929-2015) (Allemagne) Hudson Concerto (Piano Concerto No. 1) (1948 ; orchestrated in 1960) Pianist : Charles Kalman Dir : Heinz Geese
On collectionCB3 we can also listen to Charles Kalman's « Piano Concerto No. 2 "Panamericana" » (1965) and « Three Moods » for piano and orchestra (c. 1960 ?).
LIST OF UPLOADS OF COLLECTIONCB, COLLECTIONCB2, COLLECTIONCB3, COLLECTIONCB4 and IDEAL "DISCOTHEQUE" OF MORE THAN 1,400 ORCHESTRAL WORKS OF FEELINGS : http://www.corentinboissier.net/
Kép: http://youtu.be/5eoOOTiMGdQ |
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Siegmund von Hausegger: Nature Symphony (1911) Közzététel: 2013. szept. 13.
I. Gehalten un mit Dehnung - schnell - 00:00 II. Langsam und gedehnt - 18:30 III. Stürmisch bewegt - 38:04 IV. Sehr breit, mit größter Kraft - 45:44
Siegmund von Hausegger (16 August 1872 -- 10 October 1948) was an Austrian composer and conductor. Siegmund was born in Graz, the son of Friedrich von Hausegger (1837-1899), a lawyer and writer on music. According to Siegmund's own account, Friedrich was "one of the first in Austria to recognize the greatness of Richard Wagner and to exert himself to the utmost in propagating his music and his ideas". According to one account, the young von Hausegger may have been made the vehicle of his critic-father's ideals. Siegmund studied music initially under his father, and a strong Wagnerian tinge is found in his own compositions, which included masses, operas and symphonic poems as well as many choruses and songs.
Hausegger conducted orchestras in many German and Austrian cities including Graz; Munich, where he shared the conductorship of the Kaim Orchestra with Felix Weingartner; Frankfurt (1904-6); Berlin (Blüthner Orchestra, 1910-15); and Hamburg (1910-20). After the First World War he served as conductor of the Scottish Orchestra in Glasgow and Edinburgh before returning to Munich as conductor of the Munich Philharmonic and president of the Munich Academy of Music. In 1920 he succeeded Max von Schillings as president of the Allgemeiner Deutscher Musikverein.
He was the first conductor to perform Anton Bruckner's Symphony No. 9 in its original form. The symphony had been posthumously premiered in a version which had been substantially edited by Ferdinand Löwe. Löwe made changes to the harmonies, dynamics and phrasing in a bid to make the symphony more acceptable to the public. On 2 April 1932, Hausegger presented a concert in which the symphony was performed twice by the Munich Philharmonic; first in Löwe's version then using Bruckner's original autograph. Today the symphony is almost always presented in Bruckner's original form. Hausegger assisted Robert Haas and Alfred Orel in preparing the edition of Symphony published as Volume 9 of Anton Bruckner: Sämtliche Werke and he also made the first commercial recording of the symphony with the Munich Philharmonic in 1938 for HMV, using that edition. He retired from conducting in the same year. He died in Munich |
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Robert Fuchs: Serenade No. 3 (1878) Közzététel: 2013. nov. 3.
I. Romanze - Andante Sostenuto - 00:00 II. Menuetto - 4:24 III. Allegretto Grazioso - 10:15 IV. Finale alla Zingarese: Allegro con fuoco - 17:52
Robert Fuchs was an Austrian composer and music teacher. As Professor of music theory at the Vienna Conservatory, Fuchs taught many notable composers, while he was himself a highly regarded composer in his lifetime.
"Unfailingly tuneful and enjoyable, Robert Fuchs's piano trios are an easily accessible way to get to know a composer whom Brahms greatly admired," noted the magazine Gramophone. "In his time Fuchs was very highly regarded, with one critic famously pointing to Fuchsisms in Mahler's Second Symphony."
The reason his compositions did not become better known was largely because he did little to promote them, living a quiet life in Vienna and refusing to arrange concerts, even when the opportunities arose. He certainly had his admirers, among them Brahms, who almost never praised the works of other composers. But with regard to Fuchs, Brahms wrote, "Fuchs is a splendid musician, everything is so fine and so skillful, so charmingly invented, that one is always pleased."Famous contemporary conductors, including Arthur Nikisch, Felix Weingartner and Hans Richter, championed his works when they had the opportunity but with few exceptions, it was his chamber music which was considered his finest work. |
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Anton Eberl: Symphony in E-flat major, Op.33 (1803) Közzététel: 2013. júl. 17.
Picture: Der Stephansdom vom Stock im Eisenplatz by Rudolf von Alt.
Anton Eberl
Work: Symphony in E-flat major, Op.33 (1803)
Mov.I: Andante sostenuto - Allegro con fuoco e vivace 00:00 Mov.II: Andante con moto 11:40 Mov.III: Menuetto. Allegro vivace 17:03 Mov.IV: Finale. Allegro assai 20:22
Orchestra: Concerto Köln
Conductor: Werner Ehrhardt |
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Anton Diabelli: Missa Pastorale in F-major, Op.147 Közzététel: 2013. dec. 10.
Anton Diabelli (5 September 1781 -- 7 April 1858) was an Austrian music publisher, editor and composer.
Work: Missa Pastorale in F-major, Op.147
Kyrie 00:00 Gloria 02:56 Credo 08:09 Sanctus 17:23 Benedictus 19:49 Agnus Dei 24:01
Chorus: Augsburger Domsingknaben
Orchestra: Residenz Kammerorchester München
Conductor: Reinhard Kammler |
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Zsíros B. Ödön |
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Mindkét szerzőt szeretem. A '80-as években ment a TV-ben A mint oldott kéve sorozat. Ne mondd, hogy nem ütötte eg a füled a főcímzene, a Hegedűverseny (aszem, csak egyet írt)! |
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mpd |
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(Szerintem se igazán orgonára való darab. Nincsenek eléggé kihasználva a kütyü lehetőségei. De érdekességnek megteszi.) |
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mpd |
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Esetleg volt-e egyetlen önálló zenei gondolata FMB-nek, vagy ugyanúgy, mint Brámsz, kimerült a retróban? Ha JSB-t akarok hallgatni, akkor JSB-t hallgatok, nem FMB-t. |
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Zsíros B. Ödön |
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Hát, ehhez a műhöz tér is kell, nem csak "hankszer".
Engem is már megróttak, hogy miért operákat játszom. |
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mpd |
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Hát, ja. Nagy marhaság volt Pécsről (meg korábban Debrecenből) elengedni.
Egy gyöngyszem: gyerekek, ha még egyszer ilyen pontosan léptek be, felrobbantok egy szolfézstanárt! Máskor hírül vette, hogy Gardiner a kórusával egy Bach-művet akar előadni. Nagyon csípte a csőrét: mit akar Gardiner a bandájával? Minek foglalkoznak olyasmivel, amihez fogalmuk sincs? Ott van nekik Mendelssohn, mért nem maradnak annál, az való nekik. |
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Zsíros B. Ödön |
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Tegnap délután lent voltam Butapesten. Összejött a fél B. család. Nagyszerű volt.
Hazafelé a rádiót hallgattam. A bekapcsolás után másfélmilliomod másodperc után ráismertem Kamp Solomon -nem a hangjára - tudására.
A h-miséről volt szó, gazdagon illusztrált előadásban. Hazaérvén nem tudtam abba hagyni a hallgatást, átváltottam mobiteflonra, mert Kicsi Gólyát is etetnem kellett -még ma is él, és pocakja van-, és sötétedésig hallgattam a nem igazán karácsonyi zenét.
Az említett tudós nem csak a mélységes Bach-tisztelete miatt figyelemre méltó, hanem igaz keresztyénsége miá is.
Remélem a hangtárban visszahallgatható.
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Rendes Kis |
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Antonio Casimir Cartellieri: Clarinet Concerto No.3 in E-flat major Közzététel: 2013. dec. 7.
Picture: Giovanni Paolo Panini - Roman ruins and sculpture (c. 1755)
Antonio Casimir Cartellieri (27 September 1772 - 2 September 1807) was a Polish-Austrian composer, violinist, conductor, and voice teacher.
Work: Clarinet Concerto No.3 in E-flat major
Mov.I: Allegro con spirito 00:00 Mov.II: Adagio 09:55 Mov.III: Rondo 15:18
Clarinet: Dieter Klöcker
Orchestra: Prague Chamber Orchestra
Conductor: Karel Stadtherr |
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Alban Berg: Piano Sonata in One Movement Feltöltés: 2011. okt. 14.
Glenn Gould plays the Sonata in One Movement by Alban Berg (HD video) |
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Johann Georg Albrechtsberger: Konzert für Maultrommel, Mandora und Orchester F-Dur Közzététel: 2015. szept. 26.
I. Allegro Moderato II. Andante III. Menuett: Moderato IV. Finale: Allegro molto
Fritz Mayer: Maultrommel Dieter Kirsch: Mandora Münchener Kammerorchester, Dirigent: Hans Stadlmaier, 1981
Bilder: Dirck van Baburen: Young Man With Jew's Harp, 1621, Höhe 84 mm, Breite 70,7 mm, Centraal Museum, Utrecht, John Moore: Jew's Harp, via Ramshorn Studio; Sir Peter Lely: Boy Playing a Jew’s Harp, ca.1648, via Tate Gallery; Krister P.: The Young Jew's Harp Player, 2011. |
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