| Téma: Olasz zeneszerzők |
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 Lucia Quinciani: Udite lagrimosi spirti
Közzététel: 2013. okt. 29.
- Vittoria Aleotti (1573 - post 1620)
Hor che la vaga aurora (2)
- Eleonora Orsini (XVI sec.)
Per pianto la mia carne si distilla (2)
- Lucia Quinciani (XVII sec.)
Udite lagrimosi spirti (1)
- Claudia Sessa (XVII sec.)
Vattene pur lasciva (1)
Occhi io vissi di voi (2)
Ensemble Laus Concentus:
Lavinia Bertotti, soprano (1)
Silvia Piccollo, soprano (2)
Massimo Lonardi, liuto e arciliuto
Maurizio Piantelli, liuto e tiorba
Maurizio Less, viola da gamba |
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 Giorgio Pacchioni: Sonatina "Il grillo"
Feltöltés: 2008. febr. 3.
Per settimino di ocarine. Composta da Giorgio Pacchioni.
Esecutori: Ensemble Novecento diretto da G.Pacchioni |
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 Giorgio Mainerio: Suite from Il primo libro de' balli (Venice, 1578)
Közzététel: 2013. jan. 20.
From IL PRIMO LIBRO DE' BALLI ACCOMODATI PER CANTAT ET SONAR D'OGNI SORTE DE INSTROMENTI [...]
(printed by A. Gardano, Venice, 1578)
Renaissance suite of the dances, by Giorgio Mainerio.
I. Pass'e mezzo della Paganina - 0:00
II. Putta nera ballo furlano - 1:27
III. Tedescha (I) - 2:13
IV. Tedescha (II) - 3:42
V. La Lavandara (Gagliarda) - 4:28
VI. Ungaresca - 5:41
Performed by Ricercare-Ensemble Für Alte Musik Zürich.
dir. Michel Piguet |
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 Gaetano Latilla (1711 - 1788): T'aggio voluto bene (Aria)
Feltöltés: 2009. aug. 30.
Aria 'T'aggio voluto bene'
by Gaetano Latilla (Bari 1711 - Napoli 1788)
soprano: Enrica Mari
Ensemble Festa Rustica:
Giorgio Matteoli, flauto e direzione
Silvia Colli e Carlo Lazzaroni, violini
Marcello Scandelli e Claudia Poz, violoncelli
Giangiacomo Pinardi, tiorba
Roberto Bevilacqua, violone
Walter Mammarella, clavicembalo
Per saperne di più su Gaetano Latilla: http://www.cannibali.it/leggi.php?n=1...
The title of song of Gaetano Latilla, in Neapolitan language, is 'T ' aggio volute bene ' (= I have loved you) and tells the story of a woman who no longer loves her ex lover, because hi was unfaithful to her. Hi tries again to seduce her, but she refuses, and at the end of the video, in the last 4 frames, you can see why...
The woman sings: "I have loved you, my pretty little face, but now it doesnt suit me to give you more love. Get out traitor! Get out traitor, because i do not want to give you any more my little heart...
Images: Paintings of XVIII th Century by
George Romney
Maurice Quentin de La Tour
Saverio Della Gatta
Jacob Philipp Hackert
Rosalba Carriera
Gaspare Traversi |
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 Franchinus Gaffurius
Feltöltés: 2009. máj. 24.
Franchinus Gaffurius (Franchino Gaffurio), teorico e musico del Rinascimento. Un piccolo contributo iconografico e sonoro. |
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 Giacomo Facco: Las Amazonas de España (1720) / The complete serenata / Buen Retiro
Feltöltés: 2012. jan. 12.
GIACOMO FACCO also know as JAIME FACO
LAS AMAZONAS DE ESPANA
Libretto: José de Cañizares
Serenata
Madrid, Palacio del Buen Retiro, 1720
Recitativo [Marfilia]: Desvelo colorido... - 2:12
Aria [Marfilia]: No te deseo mirar... - 3:11
Duo [Clorilene, Celauro]: No sè què blando temor... - 7:10
Recitativo [Brinco]: Bien aya et alma de tan linda tierra... - 12:27
Aria [Brinco]: Tuyo soy de qualquier manera... - 12:57
Recitativo [Mentor, Aníbal, Brinco, Clorilene]: Es tan inacessible... - 15:34
Aria [Mentor]: Yo lo diga, pues, mirè... - 18:24
Recitativo [Clorilene, Aníbal, Marfilia]: A quella es, que de espaldas se percibe... - 23:20
Aria [Aníbal]: Quien, si, quando, nunca fuè... - 23:41
Duo [Marfilia, Aníbal]: Pues à la guerra... - 28:25
Aria [Marfilia]: Mirad si os he visto, si atento mirais... - 32:06
Aria [Celauro]: Si Marfilia asi me obliga... - 36:38
Recitativo [Celauro]: O fementida estrella... - 43:14
Aria [Celauro]: Què serà, Cielos, de mi!... - 43:41
Aria [Marfilia] (instrumental): Si podràs, homicida... - 53:32
Recitativo [Clorilene, Marfilia]: Gran señora, confusa, tu, què es esto?... - 57:02
Aria [Clorilene]: Ay infelice, què oì... - 58:03
Recitativo [Laureta, Clorilene]: Mira que el Templo del sangriento Marte... - 1:05.28
Duo [Laureta, Clorilene]: O que dichosa es... - 1:05.11
María Luz Álvarez (soprano)
Raquel Andueza (soprano)
VIOLIN I & II
Isabel Serrano, Antonio Almela
VIOLA
Marcial Moreiras
DOUBLE BASS
Juan Jaime Ruiz
HARPSICHORD
Eduard Martínez
BAROQUE GUITAR & THEORBO
Juan Carlos de Mulder
VIOLONCELLO
Antoine Ladrette
2005 - DDD
MAA
[on authentic instruments] |
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 Michele Esposito: Tramonto
Közzététel: 2012. aug. 26.
una composizione del maestro Michele Esposito nato a Castellammare di Stabia. Uno di quei tanti personaggi illustri stabiesi che da solo basterebbe a dare lustro a qualsiasi città nei secoli ma che a Castellammare viene presto dimenticato....un suo busto è in villa comunale, anziano coi baffi lungh,i in compagnia di Giuseppe Bonito, Viviani e Ruccello......ma manca, però, del nome!!! |
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 Giovanni Battista Pergolesi: Li prodigi della divina grazia nella conversione di S. Guglielmo
Közzététel: 2012. aug. 24.
Giovanni Battista Draghi detto Pergolesi (Jesi, 4 gennaio 1710 -- Pozzuoli, 17 marzo 1736)
Li prodigi della divina grazia nella conversione di S. Guglielmo Duca d'Aquitania, (Dramma sacro, 1731)
Performed by:
San Guglielmo: Raffaella Milanesi, soprano
San Bernardo / Padre Arsenio: Anne-Lise Sollied, soprano
Angelo: Paolo Lopez, soprano
Demonio: Lisandro Abadie, bass
Capitan Cuòsemo: Maurizio Lo Piccolo, bass
Les Talens Lyriques, Christophe Rousset
Picture by: Stencil di Banksy, Piazza dei Gerolomini/Via dei Tribunali (Napoli) |
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 Giovanni Battista Draghi (~1640–1708): The italian ground
Duo Quixote
Feltöltés: 2010. dec. 30.
Michele Veronese e Giuseppe Dimaso alla Chiesa di Sant'Antonio Vecchio di Trieste |
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Tuttad, hogy az ő eredeti neve Giovanni Battista Draghi ?  |
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 Settimia Caccini: Si miei tormenti / Due luci ridenti / Core di questo core / Cantan gl'augelli
Közzététel: 2013. okt. 30.
Settimia Caccini (1591 - 1638)
- Si miei tormenti (2)
- Due luci ridenti (1)
- Core di questo core (1)
- Cantan gl' augelli (1)
Ensemble Laus Concentus:
Lavinia Bertotti, soprano (1)
Silvia Piccollo, soprano (2)
Massimo Lonardi, liuto e arciliuto
Maurizio Piantelli, liuto e tiorba
Maurizio Less, viola da gamba |
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 Emanuele Barbella: Concerto For Mandolin (c. 1750)
Közzététel: 2015. ápr. 13.
Emanuele Barbella (1718-1777): Concerto for Mandolin
I. Allegro ma non presto - 0:00
II. Andantino - 4:05
III. Giga Allegro - 7:51
This is an 18th century late Baroque/early Classical mandolin concerto by the Neapolitan composer Emanuele Barbella. It has three movements, all of which I have recorded.
Adapted from the original instrumentation of solo mandolin, two violins and basso to a mandolin quintet (solo nylgut-strung mandolin, two vintage Italian bowlback mandolins, octave mandolin and mandocello).
"Baroq-ulele" nylgut-strung mandolin
1915 Luigi Embergher mandolin
1890s Umberto Ceccherini mandolin
Mid-Missouri M-111 octave mandolin
Suzuki MC-815 mandocello |
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 Caterina Assandra: 4 pieces from Motetti a due e tre voci, Op. 2 (1609)
Közzététel: 2014. nov. 29.
MOTETTI A DUE E TRE VOCI, Op. 2 (Milan, 1609), by Caterina Assandra.
Dedicated to G. B. Biglia, the Bishop of Pavia
I. Duo Seraphim - 0:00
II. Canzon a 4 (di Benedetto Re) - 4:28
III. O quam suavis - 8:02
IV. O salutaris hostia - 11:14
Performed by Concerto Soave
dir. Jean-Marc Aymes (harpsichord/organ)
María Cristina Kiehr (soprano) |
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 Giovanni Buonaventura Viviani: Sonata for trumpet & organ in C major
Közzététel: 2014. ápr. 21.
Giovanni Buonaventura Viviani
Sonata for trumpet & organ in C major
I. Andante 00:00
II. Allegro 01:34
III. Presto 02:54
IV. Allegro 04:18
V. Adagio 05:54
Maurice André, trumpet
Heldwig Bilgram, organ
Sir Charles Mackerras
Recorded in September 1976 |
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 Francesco Turini: Sonata "E tanto tempo hormai"
Feltöltés: 2010. aug. 9.
Francesco Turini; Sonata "E tanto tempo hormai" from the CD EXIT baroque, recorded in January 2009. Austrian Baroque Company, Michael Oman, recorder and direction. Riccardo Minasi, violin, Balazs Mate, bass-violin, Thomas C. Boysen, theorbo, Jeremy Joseph, Harpsichord, Martina Schobersberger, organ. |
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 Maddalena Laura Sirmen-Lombardini: Violin Concerto No.5 in B-flat major
Közzététel: 2013. dec. 12.
Picture: Francesco Guardi - Vedute des Canale Grande zwischen Santa Lucia und der Scalzi
Maddalena Laura Sirmen (Lombardini) (9 December 1745 - 18 May 1818) was an Italian composer, violinist, and later unsuccessful singer.
Work: Violin Concerto No.5 in B-flat major
Mov.I: Maestoso 00:00
Mov.II: Andante 06:39
Mov.III: Rondo 10:36
Violin: Piroska Vitárius
Orchestra: Savaria Baroque Orchestra
Conductor: Pál Németh |
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 Riccardo Rognoni: Pulchra es amica mea
L'ECLISSE LIVE.
Feltöltés: 2011. ápr. 16.
IL SEICENTO ITALIANO: Concert at Festetics Palace Budapest on 18.02.2011.
L‛ECLISSE:
JANUJ ANNA - RECORDER
TÓTH MÓNIKA - BAROQUE VIOLIN
MICHAL STAHEL - BAROQUE CELLO
GYULAI CSABA - PERCUSSION)
DAVIDOVICS IGOR - LUTE, THEORBO, BAROQUE GUITAR
www.facebook.com/LECLISSE |
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 Paolo Pandolfo: Collection of improvisations
St. Petersburg.
Közzététel: 2013. okt. 9.
Фестиваль "Earlymusic-2013". Санкт-Петербург, Малый зал филармонии, 8.10.2013. Музыкант исполняет четыре импровизации:Pandolfo improvisations
1. Импровизация в форме Чаконы.
2. Импровизация "Продолжая движение".
3. "Metamorphosis".
4. "Poisoned song" ("Poison Song").
Паоло Пандольфо об искусстве импровизаций:
"Процесс возрождения дает новую жизнь старому пониманию музицирования. Всякий, кто играет старинную музыку, знает, что музыканты XV-XVIII веков импровизировали множеством способов и в различных контекстах. Например, штудию чаконы можно сравнить с тем, как джазовые музыканты XX века практиковали блюз: они создавали некую основу для развития навыков исполнительства и воображения. Многие записанные сочинения до сих пор хранят следы импровизации, и, вероятно, это было записано для того, чтобы воспитывать в музыкантах важнейший навык - экспромт. Удивительно сравнивать записи сочиненных произведений с записями импровизированной музыки, созданной «здесь и сейчас».
Еще одна особенность импровизации состоит в том, что таким образом тело привыкает к инструменту значительно лучше, чем если бы оно постоянно придерживалось строгого рациона фиксированности в музыке. Импровизация открывает новые музыкальные перспективы. Большинство старинных музыкантов были способны не только импровизировать, но и сочинять. Возможно, не все они были так хороши, как И.С.Бах, но так ли это важно? В наших творческих порывах мы, современные музыканты, совершенно парализованы величием композиторов прошлого. Стремясь быть аутентичными во всем, мы должны сочинять и импровизировать, подобно им, не надеясь, что кто-то сделает это за нас. В наших руках судьба Западной музыки, и мы - единственные, кто может позволить ей жить в будущем или умереть в бесконечном повторении самой себя." |
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 Giovanni Maria Nanino: Adoramus Te Christe
gruppo vocale Sesquialtera Prato
Közzététel: 2014. jún. 7.
Il nostro gruppo vocale, Sesquiàltera, di Prato, si è formato oltre 25 anni fa; eseguiamo solo polifonia sacra rinascimentale. Siamo un gruppo di amici, il direttore è il maestro Pierluigi Chiarella. Da un concerto a Vaiano (Prato) proponiamo l' Adoramus te, Christe, di Giovanni Maria Nanino, e come sottofondo i celebri affreschi di Paolo Uccello nella Cappella dell'Assunta del Duomo di Prato. |
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 Francesco Molino: Nocturne in D major
Duo Fugit Tempus
Közzététel: 2013. júl. 31.
Rubens Küffer - alto recorder after Denner (Luca de Paolis, L'Aquila, 2012)
Max Riccio - romantic guitar after Lacote (Lúcio Jacob, Minas Gerais, 2012)
Paintings from Georges Michel (1763-1843) |
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 Giovanni Lorenzo Lulier: Cello Concerto in F-Major
Közzététel: 2014. febr. 15.
Concerto da camera for Cello, 2 Violins and Basso Continuo in F-Major.
Alte Musik Köln, on period instruments. Klaus-Dieter Brandt, violoncello. Chiharu Abe and Christine Rox, violins. Ulrich Wolff, violone. Léon Berben, harpsichord. Yamato Hasumi, theorbo. Composed by G.L. Lulier (1662?-1700?).
I. Adagio (0:00)
II. Allegro (2:05)
III. Adagio (3:55)
IV. Gigue (5:56)
"[Giovanni Lorenzo] Lulier, one of Pietro Agostini's students, was a distinguished cellist, trombone player and composer in Rome. He worked for the Cardinals Ottoboni and Pamphili, conducting their orchestras. Giovanni Lulier furthermore regularly played music with Arcangelo Corelli who worte the introduction to his oratorio Santa Beatrice d'Este. Lulier's oeuvre also includes other oratorios, two operas, a number of arias and cello concerts."
~Stephan Cahen. |
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 Giovanni Lorenzo Gregori: Concerti Grossi a più Stromenti Op 2
Capriccio Basel
Közzététel: 2015. ápr. 20. |
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 Leonardo Leo - Antonio Florio: L'Alidoro
Feltöltés: 2009. szept. 8.
World premiere in modern times. Diapason d'Or.
L'Alidoro, an unknown opera by Leonardo Leo, an important maestro in the first phase of the Neapolitan school. Available on DVD by Dynamic.
L'Alidoro jas been identified during the recent cataloguing of the artistic Neapolitan treasures of the 17th century at the Abeey of Montecassino. In this recording it has been performed by Antonio Florio and his baroque ensemble La Cappella della Pietà dei Turchini, one of the most intersting realities in musical life in Italy and in Europe. |
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 Dario Castello: Sonata Prima
Közzététel: 2013. nov. 18.
Regional Spotlight: Bach Society of Minnesota
by Steve Staruch, Minnesota Public Radio
November 14, 2013
ST. PAUL, Minn. — East met West in early 17th-century Venice, and the exotic elements of Middle Eastern and Asian cultures were on display in the music of Venice at the time.
In the Regional Spotlight this week is a frenzied and wide-eyed performance of a Sonata by Dario Castello by members of the Bach Society of Minnesota, harpsichordist Paul Boehnke and baroque violinist Jin Kim.
This September performance was recorded in The Baroque Room in St. Paul, Minn., from a series titled The Road to Bach. |
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