| Téma: Német (és más skandináv) zeneszerzők |
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| Rendes Kis |
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 Franz Clement: Violin Concerto No. 2 in D minor
Közzététel: 2015. szept. 24.
It is my sincere desire that any and all remuneration that I might be due be forwarded to the performers.
Franz Clement (1780-1842)
Violin Concerto No. 2 in D minor (1810)
I. Moderato 0:00
II. Adagio 18:10
III. Rondo: Allegro 25:25
Margarete Adorf, violin
Deutsche Radio Philharmonie Saarbrücken Kaiserslautern
Reinhard Goebel, conductor
Franz Joseph Clement (November 17 or 18?, 1780 – November 3, 1842), was an Austrian violinist, pianist, composer, conductor of Vienna's Theater an der Wien and friend of Ludwig van Beethoven.
A talented violinist from a young age, he was known for his extraordinary ability to play complex pieces from memory after only briefly viewing them. He would alternate his virtuoso performances with lighthearted showmanship, with such intermission antics as playing a sonata on one string with the violin upside-down. A critic in 1805 described his unique style as follows:
"His is not the marked, bold, strong playing, the moving, forceful Adagio, the powerful bow and tone which characterise the Rode-Viotti School; rather, his playing is indescribably delicate, neat and elegant; it has an extremely delightful tenderness and cleanness that undoubtedly secures him a place among the most perfect violinists. At the same time, he has a wholly individual lightness, which makes it seem as if he merely toys with the most incredible difficulties, and a sureness that never deserts him for a moment, even in the most daring passages."
Beethoven became acquainted with Clement in 1794 when he attended a performance in Vienna by the prodigy, then just 14.
It was at Theater an der Wien's benefit concert of April 7, 1805 that Beethoven first publicly conducted his Eroica symphony. At the same performance, Clement premiered his own violin concerto in D Major, one of Clement's six known violin concertos.
Clement went on to commission Beethoven's Violin Concerto in D Major from his friend for the next benefit concert, given on December 23, 1806. It is said that Beethoven worked on it up until shortly before the performance, and that Clement played the piece without rehearsing.
Though he was a very successful touring virtuoso and conductor for a time, he seems to have gone into a premature decline and was soon earning an average living not in keeping with his potential. He died on November 3, 1842, at (almost) age 62. |
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| mpd |
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Most nem azé' a két filléré', de ez nem a fiatal Beethoven képe? |
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 August Wilhelm Bach: Vater unser im Himmelreich (Berliner Choral-Buch 1830)
(Ditfurt)
Közzététel: 2015. máj. 27.
(English notes below)
Der vierstimmige Satz in dieser Aufnahme stammt von August Wilhelm Bach (1796-1869), dem Organisten der Berliner Marienkirche und nachmaligen Leiter des Königlichen Musik-Instituts.
Ich werde nach und nach weitere Choralsätze aus dem Berliner Choral-Buch von 1830 einspielen. Die Playlist ist hier: https://www.youtube.com/playlist?list...
a_osiander(at)gmx.net / www.andreas-osiander.net
The four-part setting in this recording is by August Wilhelm Bach (1796-1869), the organist of St Mary's Church in Berlin and later director of the Royal Institute of Music.
This hymn is a versification by Martin Luther of the Lord's Prayer. The final version was published in 1539; Luther had previously amended it several times over the years, as shown by extant manuscripts. The origin of the tune is unclear. Luther may have adapted an existing melody.
I will continue to upload hymn settings from the 1830 Berliner Choral-Buch. The playlist is here: https://www.youtube.com/playlist?list... |
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 Walther Aeschbacher: Die Veroneser Elegie op. 54
Közzététel: 2015. jan. 10.
Kammerorchester Amriswil (Switzerland)
Leitung Hanspeter Gmür
Aufnahme vom 15.09.2013 in Altnau TG |
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 Carl Michael Ziehrer: Wiener Weltausstellungs, Walzer Op.208
Közzététel: 2013. márc. 23.
Honorables y prestigiosos miembros del Imperio MrJohannStraussViena:
Me llena de alegrìa presentarles el video nùmero 200,el cual fue hecho solo para ustedes y espero lo disfruten;la presente obra tiene por nombre "Wiener Weltausstellungs,Walzer Op.208" (en alemàn) ò Vals La Exposiciòn Mundial de Viena Op.208 (en castellano) del famoso compositor y rival de la familia Strauss "Carl Michael Ziehrer (1843-1922).
Carl Michael Ziehrer (1843-1922),fue un compositor y maestro de banda militar nacido en Viena en 1843. En su vida, fue conocido como el mayor rival de la familia Strauss, en especial de Johann Strauss hijo y de Eduard Strauss.
Músico autodidacta, de 1908 a 1918 fue el sucesor de los Strauss como director de baile de la corte vienesa.
Para mayor informaciòn de este excelente autor favor de acceder a la siguiente ubicaciòn:
http://www.planet-vienna.com/musik/ko...
Resùmen:
Obra.- Wiener Weltausstellungs,Walzer Op.208
Autor.- Carl Michael Ziehrer
Deleitense con este lindìsimo vals y comenten.
¡Suscrìbanse!
Gracias. |
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 Johann Joseph Vilsmayr: Partia Ⅴ
Feltöltés: 2011. nov. 8.
Guner Letzbor ( Vn ) |
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 Sigismond Thalberg: Piano Concerto in F-minor, Op.5 (1830)
Közzététel: 2014. jan. 23.
Sigismond Thalberg (January 8, 1812 -- April 27, 1871) was a composer and one of the most distinguished virtuoso pianists of the 19th century.
Work: Piano Concerto in F-minor, Op.5 (1830)
Mov.I: Allegro moderato 00:00
Mov.II: Adagio 13:43
Mov.III: Rondo: Allegro
Pianist: Francesco Nicolosi
Orchestra: Razumovsky Symphony Orchestra
Conductor: Andrew Mogrelia |
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 Emil von Reznicek: Symphony No. 1 "Tragic" (1902)
Közzététel: 2013. szept. 10.
Painting Info - Abandoned Goth Cathedral by INetGraFX.
I. Massig - Mit Majestat - 00:00
II. Leicht Und So Schnell Als Moglich - 22:39
III. Zeimlich Langsam - 30:26
IV. Zeimlich Gehalten - 44:06
Reznicek studied law and music simultaneously in Graz. He did not finish his law degree, but continued to study music, his teacher being Wilhelm Mayer (also known as W. A. Rémy). Subsequently, he conducted at the theater in Graz, in Berlin and a few other places. From 1886 to 1894 he was Kapellmeister of the 88th Infantry of Prague, and it was here that he saw his greatest triumph with the premiere of Donna Diana (16 December 1894). In the spring of 1902 he settled in Berlin, touring to Russia and England from time to time. When the Nazi Party came to power in 1933, Reznicek tried not to become involved, but stayed in Berlin.
Reznicek was a personal friend of Richard Strauss. However, the relation between the two seems to have been an ambivalent one. Reznicek's symphonic poem Schlemihl (1912) can be seen as a direct parody of Strauss' A Hero's Life. The use of (often sarcastic) humor is a feature of much of Reznicek's music, from the jibbering Blaubart in the opera Ritter Blaubart through the sardonic Dance around the Golden Calf from Der Sieger (1913) to the expressionist Tarantella last movement of his Dance Symphony (No. 5, 1925). This Eulenspiegelei (a reference to the literary prankster Till Eulenspiegel) frequently got him into trouble in a world that was unaccustomed to the use of humour in music and art.
Ferdinand von Reznicek was his half-brother. |
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 Leonhard Päminger (1495-1567): Domine, ne in furore tuo (Ps 38)
Feltöltés: 2010. nov. 28.
Stimmwerck:
Franz Vitzthum, Countertenor,
Klaus Wenk, Gerhard Hölzle, Tenor,
Marcus Schmidl, Bass, |
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 Karl von Ordóñez: Sinfonia in C major, Brown C:2
Közzététel: 2014. dec. 23.
Karl von Ordoñez (1734~1786)
Sinfonia in C major, Brown C:2
00:00 I. Adagio
05:33 II. Larghetto
10:08 III. Presto
Toronto Chamber Orchestra / Kevin Mallon |
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 Sigismund von Neukomm: Piano Concerto in C-major, Op.12 (1804)
Közzététel: 2013. aug. 8.
Sigismund Neukomm
Work: Piano Concerto in C-major, Op.12 "Grand Concerto" (1804)
Mov.I: Largo maestoso - Allegro non troppo 00:00
Mov.II: Larghetto espressivo assai 13:23
Mov.III: Allegro assai 18:56
Pianist: Riko Fukuda
Orchestra: Kölner Akademie
Conductor: Michael Alexander Willens |
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| schlempe |
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Mert SZÉP. Azzal együtt és annak ellenére, amit leírt, s ami részben igaz is. Ám mégis, a legmagasabb esztétikai igényiszint szerint is VALÓBAN SZÉP. Aminthogy Henry de Touluse-Lautrec vagy Matisse vagy Chagall annakidején giccsesnek mondott PLAKÁTJAI IS ESZTÉTIKAILAG IGENIS SZÉPEK. Akinek van füle a hallásra és szeme a látásra ezt érzékeli és így(!) érzékeli. Akinek meg nincs, annak hiába mondom. Richard Wagner is megmondta: "ifj. Johann Strauss műveinek is csak egy bajuk van: AZ HOGY NEM ÉN --WAGNER--SZERZETTEM ŐKET!" S amit Richard Wagner mond a zenében és a zenéről, annak súlya van--mondjon akárki akármit is. |
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| mpd |
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Kesselyákot láttam a Dante-szimfóniával.
Azóta nagyon tisztelem! |
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| mpd |
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Mi a túrót eszik maga ezen a giccsparádén?
Eleve az űbercsicsás agyonaranyozott terem. Hirdeti, hogy a habsburgok pár évszázad alatt összerabolták az eszetlen fényűzésre valót. Égjenek a pokolban örök időkig.
Rózsák meg szegfűk rogyásig, na ja, újévi koncerten milyen díszlet is felelne meg bécsben?
Aztán a ripacs karmester.
És végül de főleg ez a gagyi zene. Postakocsi-polka. Gyorsposta-keringő. Aztán az a füttyös, ami magát olyannyira lenyűgözte.
Már vártam, hogy előkerül egy jó kis jódli. Passzolt volna a sorba.
Ez zene? ez lószar.
A hansiknak ez való, az oké, de magyar ember miért is lelkendez ennyire? |
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 Gustav Mahler: Kindertotenlieder
Feltöltés: 2011. nov. 27.
Gustav Mahler: Kindertotenlieder / Gyermekgyászdalok
Poems - Friedrich Rückert
1. Nun will die Sonn' so hell aufgeh'n (Már újra kél a napsugár)
2. Nun seh' ich wohl, warum so dunkle Flammen (Most értem én)
3. Wenn dein Mütterlein (Anyukád ha ajtómon belép)
4. Oft denk' ich, sie sind nur ausgegangen (Csak egy kis sétára tértek)
5. In diesem Wetter (Ily rút időben)
Atala Schöck
Hungarian Brodcasting Symphony Orchestra
Conductor: Gergely Kesselyák
11th November 2011
Kép: http://gutenberg.spiegel.de/buch/kindertodtenlieder-5068/1 |
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| schlempe |
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Én nem "belenéztem", hanem végig HALLGATTAM! Megsúgom: a zenét HALLGATJÁK s NEM "NÉZIK". És semmiképpen sem "belenéznek"....
GYÖNYÖRŰ VOLT SZUPER SZÉP(!) VOLT. |
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 August Lanner: D'ersten Gedanken, Walzer Op.1
Feltöltés: 2009. márc. 8.
http://www.planet-vienna.com/Musik/mu...
Ein besonders wertvolles und rares Stück Musik: Opus 1 von Joseph Lanners Sohn August (Augustin). Wäre dieser hochbegabte Komponist nicht im jungen Alter von 20 Jahren verstorben, so hätte die Musikgeschichte des 19. Jh. in Wien wohl anders ausgesehen. Vermutlich hätten die Straussbrüder einen grossen Teil ihrer Popularität an August Lanner abtreten müssen. Immerhin hat er der Nachwelt 30 Werke hinterlassen.
"D'ersten Gedanken" ist ein überaus gelungenes Werk mit bezaubernden Walzerteilen, die dem Stil des Vaters durchaus das Wasser reichen können.
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August (formerly Augustin) Lanner was Joseph Lanners son. August a was very talented musician. He conducted his fathers orchestra at the age of 8. Unfortunately he died at the age of 20. This waltz (First thoughts) is a precious demonstration of Augusts skills.
Kép: www.johann-strauss.org.uk/composers-a-m.php?id=133 |
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